Posts by Greg Wilbur

 

Ambrose brought the singing of hymns to congregational worship and established what became the foundation of Ambrosian Chant. Hymns like “O Splendor of God’s Glory Bright” and “Come, Thou, Redeemer of the Earth” have instructed countless churches throughout the centuries.

 

This song of comfort and hope would have been particularly consoling during the unrest and uncertainly of the early days of the Reformation. Reminding the people of the truth of the Gospel, the promises of life in death, and the glory of Christ that drives away the darkness of the lands under the shadow of death.

 

Congregational singing should be corporate—with thought and sensitivity given to participatory songs and vocal parts so that the congregation can actually sing.

 

Before we borrow too many of the forms and feel of an antithetical aesthetic and bring them into worship, we should first make sure that it fits the purpose of worship in the context of a worship space and the reflected beauty of our transcendent God.

 

There has been a recent series of posts, blogs, and articles about the use of hymnals, the loss of hymnals, what we gain with screens, what we lose with screens, etc. Behind these posts is an assumption that whether it is printed or pixelated on a screen denotes two different types of music. As such, this becomes more a discussion of style. However, at the heart of the matter is what is the purpose of singing in worship and how does that influence what we sing.